This year, the tenth anniversary year of my blog, which I celebrated by not adding any new content to it, I nonetheless kept a note of books I read that thrilled or tickled or astonished me. And here it is, with links to added commentary on Twitter where applicable (which usually follows in a thread from the first tweet I’ve linked to).
Trends are: (1) brevity continues to win the day; (2) most of these books are, in style if not in subject matter, straightforward to read—they slip down easily; and (3) there is more non-fiction than in previous years. All three features point in the same direction: an ever-increasing scarcity of time and attention as the twin calls of career and parenthood crowd out quiet time. The first two speak for themselves, and for the third, I think non-fiction generally accepts a different, more attenuated, form of attention than fiction, or at least the kinds of fiction and non-fiction I read do.
I haven’t attempted to cut this list down, in order to make up for the lack of recommendations on my blog for the rest of this year. But nor have I softened my gaze (as if!): all of the books here delighted me and are recommended, for the reasons given. The list is alphabetical by the author’s last name.
Giorgio Bassani: The Heron
For the last few years, Penguin has been putting out new translations, by Jamie McKendrick, of Giorgio Bassani’s series of romanzo di Ferrara. I’ve enjoyed those I’ve read enough that I decided not to wait for the final volume, The Heron, due next year, but to buy the existing edition in the Quartet Encounters series. (A reliable imprint in itself.) This one is translated by William Weaver, whose work I first came to more than 20 years ago via his translations of Umberto Eco and Italo Calvino. I’ll be interested to see whether McKendrick can live up to Weaver’s smooth, engaging version. The Heron, in subject, is quite unlike the other Ferrara books: it is a very gloomy account of a middle-aged man who leaves his family early one morning to go hunting. In a sense, it is an apt farewell to the novel for Bassani, who lived another 30-odd years after its publication in 1968, and in that time wrote a few short pieces and made revisions to his earlier work, but published nothing new of substance.
Anne Brontë: The Tenant of Wildfell Hall
It took a long-haul flight to get me to knuckle down to this 500-page classic, which turns out to be as good as its longevity would suggest. It even managed to win me over despite digressing into a character’s backstory for most of its length, a technique I normally hate. Like many classics, it’s both surprising and reassuring. Brief Twitter thoughts, and affirmations from fellow admirers, here.
Ta-Nehisi Coates: We Were Eight Years in Power – An American Tragedy
Having been aware of Coates through praise of his books Between the World and Me and The Beautiful Struggle, I read an article by him this year in The Atlantic, ‘The First White President’, and knew I needed to read his new book as soon as it came out. As it happens, that article is the final piece in We Were Eight Years in Power, which collects Coates’s essays about American politics through the context of race, one for each year of Barack Obama’s presidency. It is a fascinating book partly because Coates writes so seductively, partly because you can see his confidence grow with each year (and the confidence The Atlantic‘s editors have in him, as his word count swells), and partly because he is so relentlessly pessimistic about the institutional embedding of racism in American society. I tweeted about it, and from it, regularly while reading.
Joan Didion: Play It As It Lays
The only Didion I’ve read, years ago, is The Year of Magical Thinking, but recently people were recommending her novels on Twitter and I thought I’d start with the first, published in 1970. I read most of it in an airport while awaiting a delayed flight, which seems apt for its air of suffocation and stasis. Above all else, it’s only now clear to me who Bret Easton Ellis was
ripping off inspired by particularly in his early fiction. By that I mean that this is a satirical story of deadened wealthy people, very dry and funny and fairly horrifying too. One early Penguin edition described it as “the truth about women as objects.” Twitter thoughts here.
Paul Fournel: Antequil, Alone
I pre-ordered this book after seeing someone (who turned out to be the publisher) praising it on Twitter, then forgot all about it until it arrived. It was a lovely surprise: an elliptical biography, translated by Nick Caistor, of one of the world’s greatest cyclists, not that I’d heard of him before. Perhaps that is the best sort of biography to read, unencumbered by foreknowledge. The extracts I’ve posted on Twitter will tell you whether or not it’s for you, but I was interested to note after I finished it that I have another book by Fournel on my shelves: his playful novella Dear Reader, which I really must get around to now, and realising that he is a writer of the Oulipo school made his particulate approach to Jacques Anquetil’s life make more sense.
Martin Gayford: Man with a Blue Scarf
Another example of the pleasure in a book that’s about something you know nothing of. Here it’s not just Lucian Freud, the ostensible subject of the book, but art generally. This of course means that those who do have a little knowledge may not find it as satisfying. But this account, by an art critic and friend of Freud’s, of sitting for a portrait over a period of months, is fascinating, and one of the very best books I read this year, as I hope my extracts in tweets show.
Chrissie Gittins: Between Here and Knitwear
It was a sad day for all of us who like buying books and eventually, sometimes, reading them when Nicholas Lezard’s Paperback of the Week column in the Guardian ended in June after 25 years. But he did offer this recommendation on Twitter earlier in the year, saying that if he had read the book at the time it was published (2015), he would have included it in his column. He would have been right to: this is a sort of life story in short pieces from childhood to maturity. It has a very light touch but is frequently funny and sometimes very moving, particularly in the later sections. I can’t find any Twitter thoughts on this one, which is odd, but it’s a book that stayed with me throughout the year.
Sarah Hall: Madame Zero
I read, or started, Hall’s most recent novel The Wolf Border a few years ago, but didn’t get far. It made me wonder what all the fuss was about. Now I know: it’s in the stories, which are strong and original. This collection starts and ends with two somehow similar and equally brilliant stories of physicality – carnality, even – ‘Mrs Fox’ and ‘Evie’. Little wonder that ‘Mrs Fox’ won the BBC National Short Story Award (you can read it here) and ‘Evie’ was shortlisted for the Sunday Times EFG Private Bank Short Story Award (you can read it here; non-subscribers can register and read it for free). The remaining stories are good but inevitably don’t quite match those powerful bookends. Nonetheless this collection was a revelation to me.
Hiromi Kawakami: Record of a Night Too Brief
This year Pushkin Press issued a series of books of short Japanese fiction. This was the first of the four I read and my firm favourite. It consists of three stories, translated by Lucy North, all of them odd, surreal even, but budding with comedy and poignancy. In particular the story ‘A Snake Stepped On’ is sinister, moving and surprising – and entirely sui generis. If you liked Han Kang’s The Vegetarian (and who didn’t!), try this one. I was pleased to get some context from the translator on Twitter, who told me that “in Japanese medieval Buddhist literature, snakes, women and desire often feature as a sort of set. Fear of sexual desire projected onto women’s bodies…” You can read my thoughts on the book upthread of that link.
Yiyun Li: Dear Friend, From My Life I Write to You in Your Life
I haven’t read much of Yiyun Li’s fiction, and she hasn’t produced much recently. This memoir helps explain her silence: it reports on her experience of catastrophic, suicidal depression. It is brave and bleak, but also full of life as she finds a way forward in part with reference to the writers she has loved, from Katherine Mansfield (who provides the book’s title) to John McGahern and most of all William Trevor. When I read this book, at the tail end of last year (it’s in this year’s list because it was published in 2017), Trevor had just died and I felt more than a twinge of empathy for how his death must have affected Li. As well as being an emotional wringer, like all good books about writers, this one leaves the reader with many more books on the TBR pile. I tweeted some extracts from it.
Mike McCormack: Solar Bones
I was a bit late to this novel, which was general all over Ireland last year and won the Goldsmiths Prize, but it was worth the wait. I’d only read a few of McCormack’s stories before (including one about a man being investigated by the police as he is the only person in Ireland not to have written a memoir) but this shows beyond doubt that the acclaim is justified. The conceit, of it being written in one long sentence, is neither as tiresome nor as false as it sounds. It is still in paragraphs, but the lack of punctuation drives McCormack to build a rhythm into the structure of the sections and their links that is very seductive. The book builds to a brilliant ending, too. Tweets here.
Ross Raisin: A Natural
I liked Raisin’s debut novel God’s Own Country, and didn’t get on at all with his second, Waterline. I approached his third therefore with some trepidation, but fears fled very quickly. This was the best new novel I read this year. This time there is no obvious ventriloquism in the voice, which instead offered a low-key, unhurried telling of the story of a lower-league footballer. For those who were let down by people who said Nick Hornby’s Fever Pitch was the book that even football agnostics could like, this is the one for you. Aside from the emotional heft, Raisin’s sinuous sentences take the reader in constantly surprising directions. It’s a cliche to put it like this, but: why wasn’t this book all over the prize shortlists? My tweets are here.
Claudia Rankine: Don’t Let Me Be Lonely
After the great acclaim for Rankine’s Citizen a couple of years ago, Penguin reissued her earlier book Don’t Let Me Be Lonely, which takes the same form of political poetry, often on race in America. Although it came out in 2004, it feels decades older: back then, Bush and Iraq were the greatest political issues for US liberals, with no sign of either Obama or Trump. In that sense it feels at times quaint, though that is largely a reflection of our own love of feeling that we live in the worst of all possible times, and that everyone else had it easier. I will pass over my literary ignorance as to why the book is classified as poetry at all when it is almost exclusively written in prose, and simply recommend it for its eye-opening force and elegance of form. Not much more said in my tweets but here they are.
Gwendoline Riley: First Love
I’d been meaning to read Riley for ages – slim novels about miserable people? Sounds like just my bag – but it wasn’t until her new novel was published that I did. It’s a first person account of a woman’s relationship with her lover and her mother, and has some brilliantly horrible dialogue. It was shortlisted for the Women’s Prize and Goldsmiths Prize this year and seems to have been so ubiquitous in recommendations that I had to check just now that it really did come out only in 2017. I liked it enough, in fact, that I read it twice (it is very short). My only worry now is that those who were in the ground floor with her have assured me that First Love is her best book, so now I don’t know if I should bother to try her others. Tweets here.
Katie Roiphe: The Violet Hour
This was another Nicholas Lezard recommendation, an account of the deaths of six writers: Susan Sontag, John Updike, Sigmund Freud, Dylan Thomas, Maurice Sendak and James Salter (though Salter is not much more than a postscript). Perhaps in keeping with my inability to concentrate on anything very long these days, the short, piecemeal approach to biography – a short period covered, a concentration of time and subject – works very well and I finished the book feeling overwhelmed in curious ways. For some reason I can’t find any tweets about it (probably down to my habit of starting a book-thread with an image of the cover and no mention of the author or title), but here is Lezard’s review than inspired me to read it.
Stav Sherez: The Intrusions
I don’t read much crime fiction, largely through ignorance which leads to an inability to find the sort of thing I might like (Highsmith, Price, Harris, that sort of thing). But I was sent this novel by the publisher and it was, I think, the first book I read in 2017 and it remains one of the ones I enjoyed most. Sherez is a recommended presence on Twitter, who is a great reader and proponent of interesting fiction, and now I see that he’s a very good writer too. This is the third in a series of crime novels, but I am living evidence that you don’t need to have read the others. It’s bang up to date about social media trolling and other issues, and entirely gripping.
I loved Sjón’s novel From the Mouth of a Whale several years ago, but didn’t read more of him until now. In honesty, this story of a boy growing up, cinema, homosexuality and more, was not one I felt deep love for throughout – but it is one of those rare books that goes up into a new register in the last couple of pages, and by that I was very moved and impressed. In any event it’s short and it won’t take you long to get to those final pages…
Denton Welch: A Voice Through a Cloud
Another author I’ve been meaning to read for years – for seven years, in fact, since he was mentioned here in conjunction with Jocelyn Brooke. Finally this year I did, and wasn’t disappointed. Welch’s unfinished novel, an account of a period in hospital recovering from a serious cycling accident, is simple, vivid, painful and beautiful. His early death, at the age of 33, was a huge loss. Immediately I read this, I went and bought his collected short prose. He deserves to be republished with a bit of love. A few tweets here, which remind me that in fact I had read him before, though just last year, and one short story’s worth.